4x15 - Oracle's Whisper

[Prue Brianna Johnna Halliwell]

DESTINED

'ORACLE'S WHISPERS'

TEASER

OVER BLACK.

FADE IN:

EXT. TEMPLE OF APOLLO (DELPHI - GREECE) - NIGHT (350 A.D. - FLASHBACK)

CAMERA FOLLOWS - A woman’s barefoot. Her long white dress crawls on the floor as she climbs the stairs.

CAMERA MOVES UP - Slowly. It reaches the woman’s arms. She carries a baby. The little creature is wrapped in what looks like a white blanket. The woman wears a white CHITON (kind of dress from ancient Greece).

HER FACE - She looks up avoiding glancing at the baby who sleeps quietly. Her long black hair blows in the wind.

The woman (seems in her 30’s) keeps climbing the stairs of an ancient temple, the Temple of Apollo in Delphi. A sad tear comes running down her face. She’s going to do what no mother should ever do.

The columns of the imposing temple stand high over the city. The temple is touched by the light of the moon.

The woman finally reaches the top. Stands before the imposing ornamented door. She glares down at her baby and her expression saddens even more. More tears leave her sad brown eyes.

ALTHEA

I’m so sorry I have to do this to thy my daughter. I wish I could keep you for eternity, but I can’t.

The woman sobs.

ALTHEA (CONT'D)

The punishment that awaits for me ---

Another tear.

ALTHEA (CONT'D)

You are just a baby and you don’t deserve to pay for mine and your father’s sin.

Althea sits on the step. She touches her daughter’s sleepy face.

ALTHEA (CONT'D)

We shouldn’t have broken the rules. A Seer and an Oracle should never be and we didn’t respect those rules.

Althea looks at the temple.

ALTHEA (CONT'D)

You will learn everything here. You’ll learn with the Oracle.

Althea kisses the baby’s forehead fondly.

ALTHEA (CONT'D)

Don’t ever forget, Aisling, the only person you can trust in is yourself. Always think in what’s best for you first. Don’t make my mistakes. See them an learn from them, but don’t make the same mistakes I and you father did.

Althea stands and approaches the door.

ALTHEA (CONT'D)

This is the end for a Seer.

Looks at her daughter.

ALTHEA (CONT'D)

It doesn’t have to be the end for her daughter. Keep a low profile. Pick your battles wisely. And always ---

(swallows)

--- Always, choose to be on your side.

Althea puts the baby on the floor and touches her face softly.

ALTHEA (CONT'D)

And most important.

(pauses)

Do never let anyone know your name. Forces of good and evil would want to destroy you.

Another tear runs down her face.

ALTHEA (CONT'D)

After all, you are the product of a forbidden love. You’ll have powers from both sides. You’ll be able to see what others cannot.

Lowers down and kisses her child’s forehead again.

ALTHEA (CONT'D)

I love you, my darling. I truly hope we never find each other in the plan behind the veil.

Althea gets up. She stands for seconds looking at the baby. Then, slowly, she starts walking away from there.

ON THE BABY - She sleeps calmly.

FLASHES TO:

INT. ORACLE’S CAVE - NIGHT

ON BLANK EYES - They remain like that for seconds and then they turn back to normal. The hazel eyes get wet.

Aisling, the Oracle, stands there thoughtful. She is holding her Crystal Ball. She looks at it. It’s filled with a white smoke inside which fades off slowly.

Aisling takes a deep breath.

AISLING

I’ve done what your asked, μαμά.

Which means mommy.

AISLING (CONT'D)

I’m always on my side.

CLOSE UP - Aisling’s face. She is serious.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

Aerial footage of the town.

CUT TO:

EXT. P3 - NIGHT

Some people are coming out of the bar. They are wearing Halloween costumes. It seems like the bar is almost closing.

CUT TO:

INT. P3 - DANCING FLOOR / STAIRCASE / BAR - NIGHT

Only a few people wearing their Halloween costumes are there. Junior and Melissa, wearing their Bamm Bamm and Pebbles costumes, respectively, are dancing a slow on the center of the dance floor. They laugh like drunks.

MELISSA

Oh, my God, I drunk so much.

JUNIOR

We were celebrating the babies.

MELISSA

Oh, that was our excuse?

Both of them laugh.

MELISSA (CONT'D)

I’ll be hung over tomorrow.

JUNIOR

I already am today.

Both laugh again. Then, they stop laughing and look into each other’s eyes.

MELISSA

Oh, my God! I never noticed that your eyes are like the ocean. I could drown in them.

Junior smiles. Their faces are really close to each other.

MELISSA (CONT'D)

I want to kiss you right now.

JUNIOR

Friends don’t kiss each other.

MELISSA

We won’t remember tomorrow.

JUNIOR

We are drunk.

MELISSA

Really drunk. That’s why we won’t remember.

JUNIOR

We won’t indeed.

Melissa smiles and approaches her lips to his and ---

Their lips touch each other. It lasts only one second. They look at each other.

MELISSA

Oh, my God!

JUNIOR

Do you want me to orbs us home?

Melissa nods yes. Then Junior grabs her hand and drags her out of there.

The last patrons leave the place.

OFF TO THE STAIRCASE - Melinda comes in. She is wearing normal clothes.

Haley, wearing a Red Flapper costume, approaches her.

HALEY

Hey, Mel? How’re the babies?

Melinda smiles.

MELINDA

They’re good. How was tonight?

HALEY

Halloween is finally over. I’ll come back tomorrow with the guys to clean.

MELINDA

Thank you, Haley. Where’s Jo?

Haley turns around and points to a corner. Melinda’s eyes wide open.

OFF TO A CORNER - Jo is sitting on a chair and has her legs over a table. She is wearing normal clothes, cream pants, blue top, and cream jacket. On the floor next to her are like a dozen beer bottles. She’s holding one herself and has a sip of it every now and then.

HALEY

She’s been like that all night. I tried to stop her, but she always managed to get her hands-on beers. 

(looks at Melinda)

According to her, that’s the only alcohol that has an effect on her.

Melinda forces a smile.

MELINDA

Thank you, Haley. I’ll take care of her.

HALEY

Bye.

Haley walks the entrance stairs. Melinda watches her leaving. Then, she looks at Jo. Breaths in and walks towards her.

MELINDA

So, that’s your idea of the perfect Halloween!

Jo glances at Melinda. She seems drunk.

JO

I’m celebrating, Mel.

MELINDA

We need to talk, Jo.

JO

No, we don’t need to talk. I don’t want to talk.

Jo has a sip of her beer and as she does, she loses balances of the chair and falls down the floor scattering the bottles. Luckily none breaks. Jo tries to sit. Melinda helps her.

MELINDA

I never thought I could see you like this.

JO

You don’t know me too well.

MELINDA

Well, we’ll have twenty something years to get to know each other.

Jo smiles sarcastically. She sits on the floor looking up at Melinda.

JO

I want to be alone.

MELINDA

You have to explain to me what was that attitude of yours the night the babies were born.

Jo looks aside.

JO

It was nothing.

MELINDA

You kept repeating ‘please, before midnight’. What was that?

JO

Look, I just thought that if Prue’s baby wasn’t born on the day she was supposed to it would change something in the future. But hey ---

She throws her arms to the air.

JO (CONT'D)

--- Little Christina came just on the same day at the same hour she was supposed to. That girl couldn’t just wait five more weeks or five minutes before.

MELINDA

Maybe if you would had shared more ---

JO

There’s no point. I’m a screwed up. I shouldn’t have come here.

MELINDA

Don’t say that.

JO

It’s true. I won’t change anything. I don’t know how.

Jo’s eyes get wet, but she tries to disguise it.

MELINDA

You should go to sleep. Let me take you.

Melinda is about to approaches her, but Jo reaches out her hand.

JO

No. I want to stay here. I’ll sleep in the back.

Melinda nods.

MELINDA

Fine. Bianca leaves the hospital tomorrow. They will stop at the manor. You can join us.

Jo doesn’t look up at Melinda. She tries to drink from an empty bottle. Melinda turns to leave but then remembers something.

MELINDA (CONT'D)

Hey, what Jo stands for?

Jo looks up at her.

MELINDA (CONT'D)

Josephine? Joslyn? Jolene? Johanna?

Jo lowers her gaze. Melinda smiles. Somehow, she got an answer. Melinda turns to leave.

ON JO - She is serious.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Alyssa Milano as Phoebe Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Victor Websters as Coop

Ivan Sergei as Henry Mitchell

Marisol Nichols as Bianca

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Adrian Pasdar as Jannes

Emilie de Ravin as Blanche

Robbie Kay as Alex

Alex Mauriello as Aisling (Oracle)

Jen Lilley as Althea

Abigail Spencer as Serena

McKenna Grace as Christina

Dove Cameron as Michaela

Elliot Villar as Jordan

Lulu Wilson as Ivana Prescott

Miles Stroter as Demonic Bounty Hunter

Lyssa Roberts as Haley

Noah Segan as Dinos

Ken Page as Adair

Ian McDiarmid as Aramis

Nick Brimble as Thrask

James Horan as Crill

David Wald as Professor

Unknown actors and actresses as Seers and Oracles

Unknown actor as Man

Unknown actor as Guy

Unknown actress as Girl

Unknown actors and actresses as P3's customers 

Unknown actor as Man

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Aerial footage all over the town as a new day starts at the sound of ‘Head Above Water’ by Avril Lavigne.
People are leaving their homes for work or school. Cars are being driven by the Golden Gate Bridge as the fog fades away.

In the suburbs, people are cleaning up their Halloween decorations.

CUT TO:

EXT. PRESCOTT MANOR - DAY

STOCK.

MUSIC KEEPS PLAYING.

CUT TO:

INT. PRESCOTT MANOR - ROOM - DAY

MUSIC KEEPS PLAYING.

ON - ANCIENT BOOK. It is open on a page with two spells written in Latin. The pages are ornamented and very old. It reads:

‘Ritual to Turn Off One's Good Side’

‘Ritual Extra-Bond’

Ruby stands there before the ancient book. She is wearing her red cape.

ON - RUBY’S FACE. She smirks.

CUT TO:

INT. PRESCOTT MANOR - DINING ROOM - DAY

MUSIC FADES OFF.

Ivana is at the dining table having breakfast. Jordan stands behind her and staring at her. Every now and then, Ivana glances at Jordan. He is serious.

OFF TO THE ENTRANCE - Ruby comes in wearing a beautiful red set of jacket and skirt. Her hair is combed in a ponytail. She comes in smiling.

RUBY

Morning! Ivana, darling, did you have sweet dreams?

Ivana looks at her stepmother and nods yes.

RUBY (CONT'D)

That tea you've been drinking is helping, huh?!

Ivana gets back to her plate.

JORDAN

To what do we owe your good mood?

Ruby takes a seat at the top of the table and puts a napkin on her lap.

RUBY

I have good reasons to be in a good mood, Jordan.

(looks at him)

The baby is born, I found the spell I needed, my plan is close to being completed.

JORDAN

There is still so much to do, should I remind you?

Ruby smiles.

RUBY

Yeah, I know. But it won’t take long now.

Ivana looks at Ruby who looks her back and smiles.

RUBY (CONT'D)

Right, darling?

Ivana has a sip of her orange juice. Ruby starts eating. She seems really happy.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

ON A CRIB - Baby Pryatt is sleeping peacefully. She is covered with a pink blanket with a PURPLE TRIQUETA drawn in it.

OFF TO PRUE - She comes out the bathroom putting a cardigan on.

OFF TO WYATT - He is sitting on the mattress and stands up as she comes from the bathroom.

WYATT

We haven’t finished our talk.

Prue glances at the crib and then at Wyatt.

PRUE

(whispering)

Keep your voice down, would ya? We don’t want to wake our daughter who has already been named.

WYATT

(whispering)

Yeah, you named her.

PRUE

(whispering)

And you agreed with it.

WYATT

I did ---

Wyatt slightly raises his voice. Prue signs him to lower down her voice.

WYATT (CONT'D)

(whispering)

I did, but we've talked about giving her a ‘P’ name.

PRUE

(whispering)

Fine. But not that one.

WYATT

(whispering)

It’s tradition, Prue.

PRUE

(whispering)

Oh, tradition. Really?

WYATT

(whispering)

Aunt Prue, you, Mel.

PRUE

(whispering)

Aunt Prue was the first of her line. I am not and neither is Mel.

WYATT

(whispering)

You are the first female witch of our line. Just like our daughter.

They stare at each other.

WYATT (CONT'D)

(whispering)

Oh, and let’s not forget about Melinda Warren’s daughter.

Prue shoots him a pointed look.

WYATT (CONT'D)

(whispering)

And our daughter happened to be born on the same day. Three hundred and sixty-five years after our ancestor’s birth.

Prue rolls her eyes.

PRUE

No.

Prue walks towards the crib and fixes the baby’s blanket. Then she turns to Wyatt.

PRUE (CONT'D)

(whispering)

If you want to give her a ‘P’ name, fine. There’s lots of them.

She walks away from the crib.

PRUE (CONT'D)

(whispering)

Poise for example.

WYATT

(whispering)

Poise?

PRUE

(whispering)

What about Patricia? After our grandmother.

Wyatt rolls his eyes.

PRUE (CONT'D)

(whispering)

Portia? Wait. I’ve got the name. Persephone?

Wyatt’s face shows a disgusting expression.

WYATT

Persephone?

PRUE

Schuscht!

WYATT

(whispering)

I’m not giving my daughter that name. It reminds me of the Greek Mythology.

PRUE

(whispering; joking)

It would fit our daughter. We are not brother and sister, but we are cousins. Close enough. Although she was the Queen of the Underworld, but still is a strong name.

Wyatt keeps rolling his eyes.

WYATT

(whispering; serious)

I’m not kidding. We are not naming her Persephone.

PRUE

(whispering)

It’s imposing. Feared. Strong name.

WYATT

(whispering)

No.

OFF TO THE BEDROOM’S DOOR - It pops open. Melinda peeks inside.

MELINDA

Hey, guys.

PRUE

Schuscht!

MELINDA

(grimaces; whispering)

Sorry. The house is secured. I mean more secured.

She comes in.

MELINDA (CONT'D)

(whispering)

Is she sleeping?

Melinda walks towards the crib and looks at her niece. She smiles.

MELINDA (CONT'D)

(whispering)

I never thought I would have a bald niece.

Melinda looks at Prue and Wyatt.

MELINDA (CONT'D)

(whispering)

I mean, I’m sure her hair will grow. Have you reach an agreement about the name?

WYATT

(whispering)

What do you think of Persephone?

MELINDA

(shocked)

What?

Prue gets irritated with everybody raising their voices.

PRUE

(whispering)

Okay, everybody out!

She signs them to leave. Wyatt and Melinda head out the bedroom. Prue looks at the crib and walks out of the bedroom.

CUT TO:

INT. HALLIWELL MANOR - FIRST FLOOR CORRIDOR - DAY

Wyatt and Melinda stand there. Prue comes out of the bedroom and closes the bedroom’s door.

OFF TO PIPER AND PHOEBE - They come in.

MELINDA

You guys are here.

PIPER

We went to grab some things for lunch.

WYATT

Mum, tell Prue she cannot name our daughter Persephone.

Piper and Phoebe are shocked. They look at Prue.

PIPER

You want to name my granddaughter Persephone?

PHOEBE

That’s not a pretty name. 

Prue takes a deep breath trying to calm down.

PRUE

I’m not. I just don’t agree with Wyatt.

Piper and Phoebe exchange glances.

PHOEBE

(looks at Prue)

What about the family traditions?

PRUE

What about what I want?

WYATT

What about what I want?

Prue and Wyatt exchange glances.

PRUE

I just want to have breakfast right now since my husband didn’t presented me with some food this morning.

WYATT

(complains)

You didn’t leave me to.

PRUE

No, you ---

(sighs)

--- You know what? I don’t care.

(to Melinda)

Did you get more crystals around the house?

MELINDA

Sure thing. And improved the spell around them so just family can walk in. Now I’m going to sleep.

(to Piper and Phoebe)

Your turn to watch the baby. Tam spent the whole night at the hospital and Charlotte will take care after lunch.

PRUE

What are you guys talking about?

WYATT

Are you guys taking shifts to watch our daughter?

MELINDA

And Cianca’s baby too. Actually, they’ll be staying here for a few days so we can have both babies under the same roof.

WYATT

Cianca?

MELINDA

That's a ship name.

PRUE

Ship name? What are we? A cheap TV show?

PIPER

(joking)

We wouldn’t be cheap. There are a lot of characters in it.

PRUE

It’s Bianca agreed with this?

MELINDA

We agreed in helping taking care of the baby.

Prue sighs.

PHOEBE

(to Prue)

Honey ---

PRUE

Do you think we ---

(points to Wyatt and herself)

--- Are not able to take care of our baby?

PHOEBE

No, honey, it’s not that.

PIPER

We just want to make sure that it doesn’t happen what happened when Wyatt was born.

WYATT

Whose idea was this?

Piper and Phoebe exchange glances.

PIPER

Honey ---

(takes Wyatt’s hand)

--- You were so much powerful that demons wanted to get to you.

PHOEBE

And the babies?! Both of them are as powerful as well. Sooner or later there will be demons out there willing to get to the babies.

MELINDA

Yeah, that’s why

Wyatt and Prue exchange glances.

PRUE

You know what? Do as you want. I need food so I can feed my own child.

Prue storms out of there. Wyatt looks at them.

WYATT

Thank you.

Piper, Phoebe and Melinda smile.

WYATT (CONT'D)

(to Melinda)

Get some sleep.

Melinda nods. Wyatt walks out. They exchange glances.

CUT TO:

INT. MELISSA’S APARTMENT - BEDROOM - DAY

SOUND - ALARM CLOCK.

ON DIGITAL CLOCK. It is 9 a.m. FEMALE hand turns off the clock.

Melissa opens her eyes. She looks at the time.

MELISSA

What a headache!

She squeezes her temples. She is covered to her neck by the sheets. She looks down and realizes she’s wearing nothing under the sheets.

SOUND - SOMEONE WAKING UP BESIDE HER.

Slowly, Melissa glances at the other side of the bed and ---

BEAT - Junior is waking up beside her.

MELISSA (CONT'D)

Holly shit!

Junior wakes up.

MELISSA (CONT'D)

What have we done?

He looks at her and gets quickly into a sitting position. Both are astonished.

JUNIOR

What are you doing here?

MELISSA

What are you doing here?

Both of them stare astonished at each other.

MELISSA (CONT'D)

I am naked and I guess you are too.

JUNIOR

We didn’t ---

MELISSA

(ashamed)

Oh, God! We did.

Melissa grabs the sheets and gets off the bed quickly covering herself with the sheets. Junior grabs a pillow to cover his private parts.

MELISSA (CONT'D)

You said we wouldn’t remember!

JUNIOR

No, you said we wouldn’t remember!

MELISSA

I remember it all.

They stare at each other.

MELISSA (CONT'D)

Oh, my God, I remember it all.

Both sound regretful.

MELISSA (CONT'D)

This shouldn’t have happened. You are my BFF.

JUNIOR

Yeah. Agree.

MELISSA

We’ll act as nothing happened.

Melissa starts pacing the floor.

MELISSA (CONT'D)

This doesn’t have to mean anything.

JUNIOR

No, it doesn’t.

Melissa turns to him.

MELISSA

I’m gonna take a shower.

JUNIOR

I’ll just orb home after I put some clothes on.

MELISSA

Good.

Melissa heads quickly towards the bathroom. Junior watches her as she enters the bathroom and then he grimaces regretful.

CUT TO:

INT. UNDERWORLD - THE BLACK WIZRD’S CAVE - DAY

Jannes is furious.

JANNES

You said she would agree to this.

The cave seems different than before. Aisling is near Jannes. They are in a new location.

AISLING

You need to be patient. She just gave birth.

JANNES

I don’t care.

AISLING

You should. That baby ---

Jannes turns to Aisling.

AISLING (CONT'D)

(takes a deep breath)

Look, you just need to be patient. She will look for you.

Jannes remembers something.

JANNES

Maybe she already has. I change my location after all.

AISLING

Don’t worry, Jannes. She will find you once she’s ready.

JANNES

She is close.

AISLING

Are you still talking about Prue?

JANNES

I’m talking about Ruby. I can feel that she is close to achieve her plans.

AISLING

I’ve heard that she made an alliance with the Old Witch.

Jannes glances at Aisling.

JANNES

That witch represents no treat to anybody.

AISLING

Not alone.

Jannes stares at Aisling waiting for her to tell him more. Aisling deviates her eyes from Jannes. He senses that she knows more and is not telling.

JANNES

What do you know, Oracle?

Aisling walks past Jannes.

JANNES (CONT'D)

(out loud)

Aisling!

Aisling turns abruptly.

AISLING

(mad)

Don’t say my name.

Jannes smirks.

JANNES

Tell me what you know.

Aisling tries to calm down. She takes a deep breath.

AISLING

She was friends with Penny Halliwell.

JANNES

I've heard.

AISLING

After Penny defeated her, she kept and old spell book both found when teenagers. It is unknown who wrote that book, even I can’t see it.

JANNES

What is in that book?

AISLING

Old spells. Spells written a long time ago.

JANNES

What kind of spells?

AISLING

All kind. Penny and Serena worked on that book. They improved some of those spells. Penny tried to find it after she defeated Serena, but Serena was very smart and she knew her former best friend so she hid it and pretended that it was destroyed. Penny never suspected.

JANNES

Can Ruby use some of those spells to achieve her plans?

AISLING

She can and she will.

Jannes’ rage is increasing.

JANNES

She cannot win.

Jannes turns around. He is getting red.

AISLING

Prue will come. I’m sure of it.

ON JANNES - He is serious.

CUT TO:

INT. UNDERWORLD - OUTSIDE THE DARK’S WIZARD’S CAVE - DAY

Jordan is behind a rock wall. He is like waiting for something when ---

OFF TO THE ENTRANCE TO THE CAVE - Aisling comes out of it.

Jordan looks as she leaves the cave. He smirks.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Prue is spreading butter on some toasts on the island counter. Wyatt comes from behind and hugs her.

WYATT

You are not mad at me, are you?

PRUE

Are you going to insist in the name thing?

Wyatt kisses her neck gently.

WYATT

Let me tell you what. I’m not going to insist on the name anymore with one condition.

Prue puts the knife on the counter and turns to Wyatt. He has his hands on her hips.

PRUE

I’m listening.

Wyatt smiles.

WYATT

We agreed that Chris and Melinda were going to be our daughter’s godfather and grandmother, right?

Prue nods yes.

WYATT (CONT'D)

Well, let’s given them the power to decided what another name our daughter should have. Whether is a ‘P’ name or not.

Prue shoots him a suspicious glare.

PRUE

Are you planning something?

WYATT

(nods no)

No. I swear. Fair play.

Both stare at each other.

PRUE

Fine. And what about everybody else taking shifts to protect the babies?

WYATT

I actually think that’s a great idea. At least until we find out Jannes and vanquish him.

Prue’s expression changes to thoughtful.

PRUE

Jannes!

WYATT

I still can’t believe he had the balls to kidnap you.

Prue looks at Wyatt.

WYATT (CONT'D)

You still haven’t said what he did to you.

Prue disguises and turns and takes the plate with the toast.

PRUE

Oh, uh ---

Prue goes to sit.

PRUE (CONT'D)

He never got to say or do anything.

WYATT

That’s weird.

PRUE

No, it’s not. He probably was planning something and didn’t have time to put his plan into motion.

WYATT

Still ---

Wyatt pours himself a cup of coffee.

WYATT (CONT'D)

--- Very weird.

PRUE

(changing subject)

Are you going to work?

Wyatt turns to Prue.

WYATT

Honey, I have a few days off. Paternity leave, remember?

PRUE

Yeah, of course.

Wyatt frowns.

WYATT

Are you okay?

PRUE

Yeah, sure.

Prue stands and walks towards Wyatt. She takes the cup from his hands and puts it on the counter. Prue takes Wyatt’s hands. They look each other in the eyes.

PRUE (CONT'D)

We can do this, Wyatt.

Wyatt smiles. Then he leans and kisses her softly.

CUT TO:

INT. SAN FRANCISCO UNIVERSITY - CLASSROOM - DAY

Some students are inside a class room. The professor is giving them back some works.

PROFESSOR

Some of you surprised me. I honestly though that you were here only to get some credits.

Some students laugh. The professor hands a work to a student, Alex.

PROFESSOR (CONT'D)

Well done, Mr. Trudeau.

Alex smiles.

PROFESSOR (CONT'D)

You are in the right path to get your PhD.

ALEX

Thank you.

Then the professor approaches a female student, MICHAELA (18). The girl has her gaze down. The professor stands before her.

PROFESSOR

Miss Gilbert?

Michaela raises up her gaze until her eyes meet the professor’s.

PROFESSOR (CONT'D)

You need to do better.

He hands her the paper work.

PROFESSOR (CONT'D)

A college student can’t present this kind of work.

Michaela looks at the paper and a big F is written in red.

MICHAELA

You are wrong. I can’t ---

PROFESSOR

You did fail it all, Miss Gilbert.

The professor turns his back on her.

PROFESSOR (CONT'D)

You should leave my class if you are not suitable for it.

ON ALEX - He turns his gaze on Michaela.

Michaela starts getting red with rage.

PROFESSOR (CONT'D)

I only want students with an eye for physiology. People who can understand the human mind.

Michaela gets more and more red. She grabs her temples. It’s like she’s having a strong headache, but she’s actually concentrating.

Alex notices that something is wrong. He stands and approaches her desk and ---

ALEX

Michaela, are you ---?

ON THE PROFESSOR’S DESK - It burst into flames.

The professor almost gets hit by the flames. He looks at the class. Everybody is astonished.

Alex looks at Michaela. Her eyes are wide open as she looks the desk bursting into flames. Alex looks at her. Michaela stands quickly and leaves the room. Alex stares at her astonished.

CUT TO:

EXT. SAN FRANCISCO UNIVERSITY - CAMPUS - DAY

Alex comes out of the building in a rush. He looks around trying to find Michaela, but the girl is nowhere to be seen. Alex takes his hands to his hips and takes a deep breath.

ALEX

Seriously?!

ON ALEX - He is serious.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

STOCK.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - ROOM - DAY

ON A BABY BOY - The baby sleeps tightly.

Chris is numb looking at the baby. A smile is stuck on his face. Bianca and Blanche are looking at them. Bianca is wearing normal clothes.

BIANCA

(to Bianca)

Thank you, Dr. Dubois.

BLANCHE

You don’t need to thank me. I’m glad I’ve got to bring that little angel to this world.

Bianca smiles.

BLANCHE (CONT'D)

It’s a shame Prue’s baby couldn’t wait for me.

Chris turns to them.

CHRIS

Is everything okay with my niece?

BLANCHE

Yes, I’ve run a checkup and baby Christina is as strong as her cousin.

(remembers something)

By the way, what’s the name?

Chris and Bianca exchange glances.

CHRIS

We haven’t decided yet.

BIANCA

Yeah, we had something in mind, but we’ve changed our minds.

Chris smiles.

SOUND - A KNOCK ON THE DOOR.

OFF TO THE ENTRANCE - Tamora and Pandora come in carrying balloons and a teddy bear.
Chris, Bianca, and Blanche turn to them.

TAMORA

The baby's escort is ready to take him home.

They laugh.

BLANCHE

I’m gonna leave you now. 

(to Bianca and Chris)

Anything you need, you know where to find me.

Chris and Bianca nod. Blanche smiles at the twins as she walks out of the room closing the door behind her. The twins turn to Chris and Bianca.

CHRIS

(to Tamora)

So?

TAMORA

Fiona and I had a chat with the nurses and they act like they saw nothing in the delivery room.

BIANCA

Dr. Dubois hasn’t mentioned anything. Maybe they didn’t see the orbs.

PANDORA

That’s very weird. We all saw it.

CHRIS

Maybe the Cleaners intervened?

TAMORA

No. Fiona also talked to them and they said they wouldn’t erase anything because no magic was exposed to mortals or non-magical beings.

CHRIS

Well, then we have nothing to worry about. Let’s take the baby home.

Bianca approaches the crib and takes her baby from it. Chris approaches her wife and son. He smiles. Bianca raises up her eyes to meet Chris’. They smile.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE BRIDGE - DAY

STOCK footage at the bridge.

CUT TO:

INT. MAGIC SCHOOL - LIBRARY - DAY

Alex is at one of the desks with some books opened in front of him.

OFF TO CHARLOTTE - She comes in carrying some books. She approaches the bookshelves and starts placing the books on their respective place. Once she’s finished, she turns to leave but realizes Alex’s presence there.

CHARLOTTE

(surprised)

Alex?

Alex looks up at his cousin.

CHARLOTTE (CONT'D)

What is my former helper doing here?

ALEX

I’m not your former helper. I’ll be working on part-time.

She walks towards him.

CHARLOTTE

And yet school year as started and you haven’t come a single day.

ALEX

I’m sorry, cous.

CHARLOTTE

Don’t be. I know you are busy with college. What are you doing anyway?

She peeks on the books he’s reading.

ALEX

I’m looking for some explanations.

CHARLOTTE

For what?

ALEX

There’s this girl in my class ---

CHARLOTTE

Oh, young love!

ALEX

It has nothing to do with that.

CHARLOTTE

So?

ALEX

Earlier we were in class and she got an ‘F’. Got mad and the professor’s desk burst into flames.

Alex speaks in a rushed voice.

CHARLOTTE

Oh --

ALEX

I’m just trying to figure out what happened.

CHARLOTTE

Well, I was on my way out. Bianca and the baby are leaving the hospital today, but I can stay and help.

ALEX

No, it’s okay. Go and be with the babies. I’ll be okay.

Charlotte smiles.

ALEX (CONT'D)

Send my love to them. I barely was able to see them last night in a rush.

CHARLOTTE

College is busy. That’s why I jumped out of it and right into the adult working life.

Charlotte smiles. She turns to leave. Alex gets back to his books.

CUT TO:

EXT. SAN FRANCISCO - BUSY STREET - DAY

Michaela is walking down the street. He arms are crossed over her chest. She seems fearful. The street is busy, there is a lot of people walking in there. She is about to cross the street and ---

OFF TO A CAR - A car is approaching.

Michaela glances at the car which is about to hit her and ---

THE CAR STOPS. Michaela looks at the driver who comes quickly out the car.

MAN

Are you crazy?

Michaela starts getting mad.

MICHAELA

I’m not crazy.

She starts getting red and ---

ON THE CAR - The inside of the car burst into flames.

Michaela’s eyes wide open. The man looks at his car and then at Michaela. Everybody gathers around the car. Michaela runs out of the as fast as she can.

CUT TO:

EXT. SAN FRANCISCO - DAY

Aerial footage.

CUT TO:

EXT. HALLIWELL MANOR & HALLIWELL / COOP MANOR - DAY

Jo is seeing coming from the Halliwell / Coop Manor and heads towards the Halliwell Manor.

CUT TO:

INT. HALLIWELL MANOR - CHRIS’ OLD BEDROOM - DAY

Piper and Phoebe are fixing the pillows on the bed. Chris helps his wife to lay on the bed. She leans her back against the bed’s headboard. Piper approaches the crib where the baby is sleeping and smiles.

ON THE BABY - Sleeping tightly.

PIPER

He’s a little angel.

CHRIS

Where’s my niece?

PHOEBE

Prue is feeding her.

OFF THE ENTRANCE - Prue comes in followed by Wyatt who carries the baby in his arms. He looks very tender.

PRUE

Can I meet my nephew?

They look at Prue and Wyatt. Bianca smiles.

BIANCA

And I can't wait to meet my niece.

(to Prue)

You don’t look like you just had a baby!

PRUE

I regenerate fast. Now you look like you’re gonna need a few weeks of recovering.

BIANCA

I’m a witch too, Prue.

Both women smile. Prue approaches the crib and stares fondly at Cianca’s baby. Wyatt approaches the bed and hands Bianca his daughter. Chris sits beside Bianca and both stare at Pryatt’s baby.

PHOEBE

They are going to be good friends.

PIPER

Same age.

PHOEBE

Yeah, how crazy is that?! They both were born almost on the same day.

PIPER

With a few minutes apart.

Cianca’s baby starts whimpering. Prue takes him from the crib and starts to calm him down.

PRUE

Little angel!

Wyatt smiles as he looks at Prue.

PIPER

Two. There’s going to be crazy times at this house.

They smile.

WYATT

So, what’s the baby’s name?

Chris and Bianca exchange glances.

CHRIS

We are still working on several options. Yours?

WYATT

Her mother is reluctant.

Wyatt and Prue exchange glances.

PRUE

Christina is her second name. We haven’t decided on the first name yet.

Piper cuddles the baby’s head.

PIPER

(to Prue)

You have to see his eyes. They are so blue.

Prue smiles and looks fondly at the baby.

WYATT

We haven’t figure out Christina’s eye color yet.

MELINDA (O.S.)

We just figured out she is bald.

OFF TO MELINDA - She comes in and looks at them.

MELINDA (CONT'D)

But I do believe she’ll have long and strong hair just like her mother and her eyes will be just like mine.

PRUE

Look who’s awake.

Melinda approaches Prue and Cianca’s baby.

PIPER

I’m going to prepare the dinner.

PHOEBE

I’ll help you.

Both Piper and Phoebe leave the room. Seconds later, a shy Jo comes in. She looks at Prue holding Cianca’s baby.

JO

Is that ---?

They all look at her. Jo approaches Prue and the baby.

JO (CONT'D)

(to Cianca’s baby)

Hey, you!

Jo smiles.

JO (CONT'D)

(to Chris and Bianca)

Have you named him yet?

Bianca and Chris nod no.

BIANCA

Maybe you can help us with that.

Jo sees the baby in Bianca’s arm.

JO

Is that ---?

PRUE

Christina!

Jo glances at Prue as if for the first time she realizes she’s there.

JO

I can’t tell you the names.

(she looks at the others)

It has to be something you chose.

PRUE

I agree.

(rude)

What are you doing here?

Jo glares at them.

JO

I just saw Chris and Bianca arriving and wanted to meet the baby.

PRUE

You didn’t come to see mine, before.

JO

I was taking care of your club.

PRUE

Right.

Cianca’s baby starts crying. Melinda walks quickly towards Prue and takes the baby from her softly.

MELINDA

Too much tension, you guys.

(to the baby)

Well, darling, it’s okay. They are big, but not very reasonable women.

PRUE

I should go to get some rest and so my daughter. Too many people in here.

Prue approaches the bed and Bianca hands Prue the baby.

BIANCA

She’s very beautiful.

Prue smiles. Prue walks out of the bedroom.

JO

Sorry. I should warn you that she’ll never like me anyway, so ---

MELINDA

Don’t say that.

The baby keeps crying. Melinda tries to calm him down. Wyatt approaches Jo.

WYATT

Just try not to upset her. She’s now breastfeeding and I don’t want anything to disturb Prue and the baby right now.

Jo lowers his gaze.

JO

Sure.

Wyatt forces a smile and then turns to leave. Once Wyatt is out the bedroom, Bianca, Chris, and Melinda look at Jo.

CHRIS

Don’t mind them.

JO

I should get going.

They are about to stop her, but Jo leaves the room in a rush.

BIANCA

(to Melinda)

Are you still sure she’s their daughter?

Melinda is unsuccessfully trying to calm the baby. She hands him to Chris.

MELINDA

100% sure.

ON MELINDA - She is serious.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

ON THE BABY - She is laying on the crib. The baby makes soft movements as if she’s about to wake up, but keeps sleeping.

Prue stares fondly at her daughter and cuddles softly her bald head.

OFF TO THE DOOR - Wyatt comes in. He closes the door behind him gently, trying not to make any sound. Then, he stares at Prue for seconds. He smiles as he looks at her.
Prue smiles at her daughter. Wyatt walks towards them.

WYATT

I do love to stare at you while you stare at her.

He hugs Prue from behind. She smiles.

PRUE

I can believe we were able to create such a beautiful creature.

WYATT

It’s the product of true love.

Prue turns around and puts her arms over Wyatt’s shoulders. She takes a deep breath.

PRUE

I can’t forgive her, Wyatt.

WYATT

Jo?

Prue nods.

PRUE

She knew about it and she didn’t warn us. Bianca was in danger.

WYATT

And so were you.

Prue agrees.

PRUE

Right.

WYATT

Don’t worry. I asked her not to bother you.

PRUE

I can’t understand why she’s here. She has done nothing to change whatever turns the World into an evil World.

WYATT

Honey, we know who we need to stop in order to prevent that future.

Prue lowers her gaze. Wyatt grabs Prue’s chin and raises her face. Both stare at each other on the eyes.

WYATT (CONT'D)

Jannes.

PRUE

Yeah.

She kisses Wyatt softly on the mouth. Then she walks away from him.

PRUE (CONT'D)

I’m a little bit tired, honey.

(turns to him)

I think I’m going to lay down for a bit.

WYATT

Sure. After all, 'all mighty Prue' just had a baby.

Prue smiles.

PRUE

My body is regenerating fast.

Wyatt smiles.

WYATT

I know.

Both of them smile at each other.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

Footage at several places all over the town at the sound of ‘Carry You’ by Ruelle ft. Fleurie.

CUT TO:

INT. P3 - DANCING FLOOR / BAR - NIGHT

MUSIC FADES OFF.

CLUB MUSIC PLAYS.

The club is a little bit crowded. People are dancing and enjoying their time there. At the bar are Tamora and Pandora preparing drinks. Junior is sitting at the bar having a drink.

TAMORA

So, where’s Ethan?

PANDORA

He went to visit his parents, but he’ll be back in a few days.

(to Junior)

What’s wrong with you?

JUNIOR

Nothing is wrong with me. The babies are okay, their mothers as well and it seems like no one saw blue orbs in the hospital.

TAMORA

Yeah, thanks, God for that.

PANDORA

(to Junior)

Still, you seem weird.

Right then, Melissa approaches the bar and sits right beside Junior.

MELISSA

Hey, guys!

Junior looks at Melissa and his expression changes. He wasn’t expecting her.

MELISSA (CONT'D)

Hi, BFF!

She smiles as nothing’s happened.

JUNIOR

What are you doing here?!

Tamora and Pandora exchange glances.

PANDORA

I’m gonna serve these to the customers.

Tamora nods. Pandora walks out of the bar. Tamora stares at her brother and Melissa.

MELISSA

This is a public place. I’m allowed to come here.

JUNIOR

Not a public place. This is my cousins’ bar.

MELISSA

Whatever.

(to Tamora)

I’m having a vodka on the rocks.

TAMORA

Sure thing.

Tamora starts preparing Melissa’s order. Melissa leans over Junior and whispers to him.

MELISSA

Why are you acting like that?

JUNIOR

Like what?

MELISSA

We agreed in pretending nothing happened.

JUNIOR

I’m pretending. You are the one who keeps reminding me of that.

MELISSA

You’re acting as something has changed between us.

Junior turns to her. Both stare at each other.

JUNIOR

It’s weird.

MELISSA

I know. But we are friends above all.

JUNIOR

Yes, we are. And whatever happened last night ---

Tamora looks at them without them realizing it.

JUNIOR (CONT'D)

--- Cannot interfere in our friendship.

MELISSA

I agree.

JUNIOR

Then let’s act like friends.

MELISSA

Agree.

Tamora smiles and focuses on what she’s doing.

JUNIOR

Another vodka on the rocks, sis.

TAMORA

Sure thing.

Tamora smiles.

FLASHES TO:

INT. THE TRIBUNAL - UNKNOWN TIME OF DAY ((350 A.D. - FLASHBACK)

Althea (a Seer) and a man, DINOS (an Oracle) are on the center of the Tribunal, in the Circle of Truth. Both Althea and Dinos have their gazes down.

Up there looking at them are two Elders (Adair and Aramis) and two Demons (Thrask and Crill).

ADAIR

The rules were broken.

THRASK

Seers and Oracles are not allowed to mate.

CRILL

Not even to bring to this world a cursed child.

ALTHEA

My child is not cursed. She’s the product of love.

ARAMIS

(raises his voice)

SILENCE!

Althea and Dinos exchange glances.

ARAMIS (CONT'D)

Tell us what’s the child’s name and where she is.

ALTHEA

Never.

CRILL

TELL US!

Althea cries.

ALTHEA

She’s innocent. Please.

THRASK

She is an aberration.

CRILL

The name, Seer.

ARIS

You cannot lie to us. You are in the Circle of Truth.

DINOS

My lords ---

Dinos speaks in a hushed voice.

DINOS (CONT'D)

--- We are the sinners. Not the child.

ARIS

The child must be punished. We cannot allow such a great power in her hands.

THRASK

She has the eye from both sides. No one should ever see what she could see.

ALTHEA

She will be a good girl. She won’t use it the wrong way.

ARAMIS

We cannot allow it.

CRILL

The name.

Althea cries hard. She fights the power that the Circle of Truth has on her.

ARIS

The name!

ALTHEA

Aisling!

Althea gets on her knees crying hard. Dinos closes his eyes. Althea looks up at him.

ALTHEA (CONT'D)

I’m sorry. I couldn’t ---

ARIS

I call the council of the Ancient Oracles and Seers.

ALTHEA

No!!!

Behind Althea and Dinos, a group of six people appears surrounded in white lights. Three women and three men. The three women wear Seer’s clothes while the three men are dressed like Oracles.

ARIS

Please, let us know what their punishment should be.

SEER #1

Your punishment ---

ORACLE #1

--- Will be ---

SEER #1

--- Death ---

ORACLE #1

--- By fire.

ARAMIS

We sentence you to burn.

ALTHEA

(screams)

NO!!!!!

And both Althea and Dinos burst into flames. They both scream hard. The members of the Tribunal DISAPPEAR.

FLASHES BACK TO:

INT. UNDERWORLD - ORACLE’S CAVE - NIGHT (PRESENT DAY)

ON AISLING’S EYES - They turn from white to normal.

Aisling lowers her gaze at the Crystal Ball on the rock table. The Crystal Ball is filled with a white smoke.

AISLING

You were victims of their injustice.

A tear runs down her face.

AISLING (CONT'D)

I’ve managed, mum, to stay away from their radar. I don’t know how Jannes found out my real name.

(swallows)

I need to get to Prue. She needs to listen to Jannes.

The Oracle waves her hands over the Crystal Ball.

AISLING (CONT'D)

I’m on my side, but having an ally as Prue Halliwell ---

(pauses)

--- Well, I have to do what I have to do to protect myself.

The Oracle closes her eyes and concentrates.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - NIGHT

All the lights are off.

ON THE BABY - She sleeps tightly.

Prue and Wyatt sleep tight. They sleep hugging each other.

ON PRUE - She smiles like she’s having a good dream.

FLASHES TO:

INT. HALLIWELL MANOR - CHRISTINA’S BEDROOM - NIGHT (INSIDE PRUE’S DREAM)

The atmosphere is surrounded by purple fog.

An eleven years old Christina is lying on the bed as Prue is sitting beside her telling her a story. Christina looks at her mother.

PRUE

‘--- “Ah, Beauty!” he said. And the Beast told her his story. Years ago, when he was a prince, an evil fairy had put a spell on him. He must stay a beast forever until a maiden grew to love him when he still looked like a Beast. Now she had been the one to break the spell!

(pauses)

And so, Beauty and her prince, formerly the Beast, were married. And they lived happily ever after.’

Prue closes the book and smiles.

CHRISTINA

Belle is my favorite, mummy.

Prue puts the book on the bedside table and caresses Christina’s blond hair.

PRUE

I know she is, darling.

Prue kisses her daughter’s forehead.

PRUE (CONT'D)

Now, time to sleep.

CHRISTINA

She wants to talk to you, mummy.

Prue doesn’t understand. Then, Christina points to someone behind Prue and suddenly Christina fades off as well as the purple fog. It is replaced by red fog. Prue turns around and she sees her.

BEAT. The Oracle is there.

PRUE

You!

AISLING

You made a deal with him, Prue.

PRUE

He never got to release me or Bianca. The deal is off.

AISLING

No, it’s not. You need to listen to him.

(smiles)

If you want this dream to become true. Jannes can help you change the future, Prue.

They stare at each other.

FLASHES BACK TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - NIGHT

ON PRUE’S EYES - They pop open.

SOUND - BABY CRYING.

Prue turns to the crib. She glances at Wyatt who starts waking up.

WYATT

Hey, the baby is crying.

PRUE

Yeah. Hungry.

Wyatt looks at Prue and senses that something is wrong with her.

WYATT

Are you okay? Do you want me to get the baby?

PRUE

No, honey. Get back to sleep. I’ll take care of her.

Wyatt smiles and puts his head back on the pillow. Prue stands and walks towards the crib where the baby lays down crying. Prue takes her from the crib and starts calming her down.

PRUE (CONT'D)

It’s okay, baby. Mummy is here.

ON PRUE - She is thoughtful. Deep inside her mind, she can hear the Oracle’s voice.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE BRIDGE - NIGHT

Footage at the bridge and the moon over it.

CUT TO:

INT. MAGIC SCHOOL - LIBRARY - NIGHT

No one is there, but Alex who has fallen asleep over the books. He is snoring. Then, out of a sudden, he wakes up abruptly. He glances around trying to figure out where he is.

ALEX

God, I fell asleep.

He glances at the books.

ALEX (CONT'D)

C’mon, Alex! I need to find out what’s going on with Michaela.

Something in a book calls for his attention. He grabs the book and reads from it.

ALEX (CONT'D)

(reading)

‘Firestarter’

(pauses)

‘--- magical creatures with the power of pyrokinesis.’

(pauses)

‘They can concentrate and create fire or cause things to burst into flames.’

Alex raises her eyes from the book.

ALEX (CONT'D)

That's it! Michaela is a Firestarter!

ON ALEX - He seems both excited and worried.

CUT TO:

EXT. SAN FRANCISCO - DAY

Fast motion shots all over the town.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

Wyatt is standing there glancing all around his bedroom. Prue comes from the bathroom. He stops and stares at him as she notices he is thoughtful. Then she glances at the crib to check the baby and then turns to Wyatt.

PRUE

What are you doing?

He stares at the place where the door to the closet is.

WYATT

I should have thought about it before.

PRUE

Thought about what?

WYATT

(turns to Prue)

The nursery. How could I forget about it?!

Prue approaches him.

PRUE

You were busy with something else.

WYATT

Yeah. I know.

PRUE

Why are you thinking about it now?

WYATT

Because Chris mentioned it last night. He said that he was anxious for the baby to sleep in his nursery.

PRUE

Chris made a nursery for the baby?

Wyatt nods yes.

PRUE (CONT'D)

When?

WYATT

A couple of weeks ago. He said it was supposed to be a surprise for Bianca.

PRUE

Oh, so Bianca doesn’t even know.

Wyatt nods no. Wyatt approaches Prue and hugs her.

WYATT

She was just born and I’m already failing her.

PRUE

No, honey, you’re not.

Both keep hugging. Prue stares at the closet door. She has an idea.

PRUE (CONT'D)

(breaking the hug)

Your mum and dad gave us their old bedroom, right? When they decided to move to New Orleans.

WYATT

They did. We’ve been sleeping in their bedroom for two years now, love.

PRUE

We are.

Prue walks towards the closet.

PRUE (CONT'D)

(turns to Wyatt)

This was your nursery.

Prue points to the closet.

WYATT

That’s right.

Wyatt smiles big. He rushes to Prue and kisses her.

WYATT (CONT'D)

You are a genius.

Prue smiles.

PRUE

No, your parents were genius. And then, when Cianca gets back to the condo we’ll get back to our old plan in turning Chris’ bedroom into our children’s nursery.

WYATT

Children?

Prue smiles.

PRUE

Let’s have breakfast.

She walks out of the bedroom. Wyatt smiles.

CUT TO:

EXT. SAN FRANCISCO UNIVERSITY - CAMPUS - DAY

Shots all over the campus.

CUT TO:

INT. CAMPUS CAFETERIA - MAIN ROOM - DAY

A line of young people is by the bar. The waitress is serving them coffee. Michaela is there. She seems a little anxious. When her turn comes she places her order to the waitress.

MICHAELA

A decaf, please.

The waitress nods and starts preparing the coffee. Michaela pays for it and takes the cup and turns to leave. As she turns around, there’s a man standing in front of her. He looks at her and smile.

BOUNTY HUNTER

I’ve finally found you!

He smiles. Michaela steps back running into someone, the guy looks at her and shoots her an annoyed expression.

GUY

Be careful, freak!

Michaela glances around and she feels like she has no way out. Then, she stops, closes her eyes and concentrates.

OFF TO - FIRE. Some tables burst into flames. The coffee machine as well.

People start getting scared and run out of the cafeteria as soon as they can. Michaela glances around and takes advantage of the confusion to run out of there. The Bounty Hunter tries to go after her, but he’s stopped by all the people inside the cafeteria who rush out as the cafeteria burns.

CUT TO:

EXT. PRESCOTT GROUP - DAY

Footage at the tall glass building.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

ON - MAU. The black cat is on the couch having a nap.

Ruby walks from her desk towards the couch where Mau is and caresses its fur. She smiles as Mau enjoys her touch.

RUBY

Son, my baby, we are gonna have what we’ve been looking for.

Mau meows.

RUBY (CONT'D)

Once the world is turned evil, I’ll have my revenge against her.

Mau meows again. Ruby smiles and takes Mau in her arms. She walks towards the windows and glances through them at the city outside.

RUBY (CONT'D)

Once I achieve my goal, everything we know ---

Ruby makes the cat stare at the outside.

RUBY (CONT'D)

--- Will change. Evil will rule over the World, finally. And we’ll have revenge against her. She will be locked down on the same place she locked me all those centuries ago.

SERENA (O.S.)

You know what’s wrong with that plan?

Ruby turns around.

OFF TO SERENA - She stands at the entrance. She is wearing a white short dress. Her lips are red as blood. She closes the door behind her.

SERENA (CONT'D)

You want to give the power to rule the World to another.

Ruby smiles.

RUBY

Don’t worry, Serena, I’ll be in a good position to control everything.

SERENA

(walks towards the desk)

Yeah, but you don’t want to become the Source of All Evil. You want to hand the crown to someone else.

RUBY

It’s not someone else. It’s their right to become what I want them to become.

Serena sits on Ruby’s chair. Ruby puts Mau on the floor. The cat walks towards the door and stops in front of it as if waiting for someone to open it.

OFF TO JORDAN - He SHIMMERS in.

JORDAN

I’ve got news.

Ruby and Serena look at him.

JORDAN (CONT'D)

One of the Firestarters we are trying to get is being hard to find, but one of the Bounty Hunters located her.

SERENA

Firestarters? Weren’t they supposed to be trained to protect the Source?

RUBY

That was in the past. I have other plans for them.

(turns to Jordan)

Tell them to do whatever it takes to get the Firestarter. We must gather as much as we can. We’ll gonna need them.

JORDAN

Sure.

Jordan pauses. Ruby stares at him.

RUBY

Anything else?

JORDAN

I already took Ivanna to her appointment.

RUBY

Using your fake face, I guess.

JORDAN

Of course.

Ruby smiles.

Jordan stands there as if he wants to say something else.

RUBY

Anything else?

Jordan thinks for a few seconds and then nods no. Then, Jordan SHIMMERS out.

SERENA

What are you going to do with that daughter of yours?

RUBY

So far, I’m gonna keep her close. I kinda like her.

Serena shots Ruby a ‘seriously’ glare.

RUBY (CONT'D)

I want to give her what I didn’t have.

(smiles)

Besides, she fears me and I like it.

Both witches laugh. Serena stands.

SERENA

When are you going to get to the next part of the plan? You already got the spells you needed.

Ruby turns to the window and glances through it.

RUBY

Soon.

(smiles)

The time is near.

Serena stares at her as Ruby is seriously glancing through the window.

CUT TO:

EXT. SAN FRANCISCO UNIVERSITY - CAMPUS - DAY

OFF TO ALEX - He walks through the campus. He notices there is more movement than usual. He glances around. Then, something calls for his attention.

OFF TO FIREMEN - A team of firemen is trying o control the fire in the Cafeteria caused by Michaela.

Alex is astonished looking at it. He approaches a girl who’s standing there.

ALEX

What happened?

GIRL

A fire. No one knows how it started. It’s crazy.

Alex glances around and ---

OFF TO MICHAELA - She is next to a tree glancing at it.

Alex rushes towards her.

ALEX

Michaela!

Michaela looks at Alex and turns around trying to escape from him. Alex rushes behind her.

ALEX (CONT'D)

Michaela, wait! I can help you.

MICHAELA

I don’t need your help.

ALEX

Michaela, I know what you are.

Michaela stops and slowly turns to him. She shoots him a wary look.

ALEX (CONT'D)

I know you are a Firestarter.

MICHAELA

I don’t know what you’re talking about.

ALEX

Yeah, you probably are confused, but I can help you.

MICHAELA

I don’t need your help. Leave me alone.

Michaela turns around and runs out of there. Alex runs after her.

OFF TO THE BOUNTY HUNTER - He stares at them.

CUT TO:

INT. HALLIWELL MANOR - CHRIS’ BEDROOM - DAY

Bianca is feeding her little baby. Chris comes in bringing a tray with some toast and orange juice.

CHRIS

Mummy needs to eat too.

Bianca glances at Chris and smiles. He walks towards the bed and puts the tray on the bed. Bianca finishes feeding the baby. Chris approaches them and Bianca hands the baby to Chris who holds him gently. He looks fondly to his son.

BIANCA

I could go down there to eat you know.

CHRIS

You are still recovering, babe.

BIANCA

I just had a baby, Chris.

CHRIS

Exactly.

Chris smiles. He puts the baby on the crib and then takes the tray and puts it on Bianca’s legs.

SOUND - A KNOCK ON THE DOOR.

Bianca and Chris glance at the door and Jo’s there. She smiles.

JO

Can I see little ---

(pauses)

--- Have you named him yet?

Chris and Bianca nod yes.

JO (CONT'D)

So?

CHRIS

We are announcing the baby’s name later today. I already have a name for my niece so I agreed with Wyatt that we were going to put an end on the mystery today.

JO

Oh, so they haven’t come up with a name yet!

Jo walks towards the crib and stares fondly at the baby. Chris and Bianca exchange glances. Jo turns to them.

JO (CONT'D)

Can I hold him?

Chris nods yes. Jo smiles and takes the baby.

ON THE BABY - He opens her eyes and stares at Jo, sort of.

CHRIS

You two are very close in the future, right?

Jo looks at them.

JO

What makes you say that?

CHRIS

The way you look at him.

Jo looks at the baby.

BIANCA

Maybe you two are a couple ---

Jo turns to them.

JO

No! That’s only a Pryatt’s thing.

BIANCA

Pryatt?

CHRIS

Prue and Wyatt’s ship name.

BIANCA

Is this a TV show or what?!

CHRIS

Blame Melinda for it.

JO

Anyway, no, guys. As I said, it only happened with Prue and Wyatt and that was something to do with Destiny and Fate. They are soulmates who were reborn as cousins.

BIANCA

So, that means you and our son are cousins!

Jo was just caught. She doesn’t know what to say. Chris and Bianca stare at her.

JO

I didn’t say that.

BIANCA

You just did.

JO

No.

She puts the baby back on the crib gently.

JO (CONT'D)

We are not ---

CHRIS

Don’t deny it, Jo.

Jo stares at them.

JO

I need to go.

Jo is about to leave the bedroom when Prue comes in carrying the baby. Both stare at each other.

PRUE

I need to speak with Mel, she said only family could enter the house and we’ve got strangers here.

JO

I didn’t want to upset you, I’m sorry.

Jo rushes out of there quickly.

CHRIS

You should take it easy with her.

PRUE

I came to see my nephew and not to discuss my issues with the Future Girl.

Prue walks towards the crib.

PRUE (CONT'D)

Look, Christina, this is ---

(pauses; turns to Bianca and Chris)

--- What’s the name?

CHRIS

Later, Prue, later.

Prue shrugs. Chris lowers down and kisses Bianca’s forehead.

CHRIS (CONT'D)

I’ll be right back.

Chris walks out of the bedroom. Bianca looks at Prue and the babies and smile.

CUT TO:

INT. HALLIWELL MANOR - MAIN HALL / STAIRCASE - DAY

Melinda comes downstairs. She’s on the phone.

MELINDA

No, babe. I asked Christopher to cover for me tonight because I won’t be able to go. Mum is in town and I want to spend some time together.

(pauses)

Sure. Love you too.

Piper and Phoebe come from the dining room.

PHOEBE

Tomorrow? Already?

Piper nods yes.

MELINDA

What happens tomorrow?

PIPER

I need to leave.

MELINDA

(annoyed)

Already?

Piper nods.

MELINDA (CONT'D)

But the babies ---

PIPER

They’ve got their mothers, Mel.

MELINDA

And their aunt.

Piper and Phoebe exchange glances.

PIPER

Honey ---

Piper takes Melinda’s hands.

PIPER (CONT'D)

I know what you’re trying to do and it’s beautiful that you worry about your niece and nephew but you can’t control everything.

MELINDA

I’m not trying to control everything. I’m trying to protect them.

PIPER

And what about your life? Are you going to put it on hold?

Melinda lowers her gaze.

MELINDA

I ---

She looks at her mother.

PHOEBE

Your mother is right, Mel. The babies have their mothers. The house is secure and we cannot put our lives on hold because of a demon ---

PIPER

Wizard!

Phoebe shots Piper a look.

PHOEBE

--- Wizard can run an attack at any moment.

MELINDA

But Prue and Bianca are not protected by the babies’ force field anymore.

PIPER

I wasn’t either and I’m here.

MELINDA

Right.

She gives him.

MELINDA (CONT'D)

You guys are right. I’m gonna slow down a little.

Piper and Phoebe smile.

MELINDA (CONT'D)

Thank you, guys, from calling me back to reality.

Piper touches her daughter’s face gently.

SOUND - PEOPLE SPEAKING IN THE CONSERVATORY ROOM.

They listen to the voices from the conservatory room and head inside.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

There are Wyatt and Chris with Alex.

CHRIS

(to Alex)

A Firestarter?

Melinda, Piper, and Phoebe come in.

CHRIS (CONT'D)

(to Alex)

Are you sure?

Alex nods.

PIPER

What’s going on?

PHOEBE

Did I hear Firestarter?

PIPER

(to Alex)

Hi, sweetie!

ALEX

Hi, aunties. I encountered a Firestarter.

PHOEBE

It’s been years since I last heard about one.

PIPER

You fought against one year ago, remember?

PHOEBE

How can I forget? We are friends with her sister. That reminds me that I have to send some photos of the babies to Billy. See you guys later!

And Phoebe rushes out of the room.

MELINDA

So, who’s this Firestarter?

ALEX

She’s in my class. It seems to me that she doesn’t know what’s happening to her.

PIPER

That’s bad. You must help her.

ALEX

That’s why I’m here. I need you guys help.

Chris and Wyatt exchange glances. Then they turn to Alex.

CHRIS

Oh, well ---

WYATT

We’ll ask the twins and Junior to help you.

CHRIS

Yeah, exactly.

MELINDA

Why do you have to ask them to help him? We can help him.

CHRIS

Well, Bianca needs me.

WYATT

And Prue needs me.

MELINDA

No, they don’t. At least they don’t need you guys to be stuck to them. You guys haven’t got off of them since the babies were born.

PIPER

Mel is right.

WYATT

Mum, we need to be here for our wives.

PIPER

Your wives could use a few hours with their husbands away. Alex has come here to seek for your help.

Wyatt and Chris exchange glances.

PIPER (CONT'D)

You are the freaking Destined Ones for God’s sake!

They turn to Alex.

WYATT / CHRIS

We’ll be right back.

And Wyatt and Chris rush out of the room. Piper and Melinda exchange glances.

OFF TO JO - She comes in.

JO

Hey, what’s wrong with Wyatt and Chris?

PIPER

They are afraid to leave the house and leave their wives and babies.

JO

Why would they leave?

ALEX

Because I need help with a Firestarter.

JO

(interested)

A Firestarter?

ALEX

Yeah, this girl from my class is burning everything in her path down and we need to help her.

Jo seems concerned.

JO

Do you have a photo of that Firestarter?

Melinda and Piper exchange glances.

MELINDA

Why are you so interested?

Jo glances at Melinda and then looks at Alex.

JO

(to Alex)

Do you?

ALEX

Maybe.

Alex takes his cell phone from his pocket and starts looking for something. He finds it.

ALEX (CONT'D)

Here!

He shows the phone to Jo and her expression hardens the moments she lays eyes on the photo.

JO

It can’t be.

ON - THE PHOTO of a group of students from Alex’s class. Michaela is seen there in the back of the group.

CUT TO:

INT. HALLIWELL MANOR - CHRIS’ OLD BEDROOM - DAY

Bianca is by the crib when Chris comes in. He stops for a moment and stares at her. Bianca covers the baby with the blanket. She smiles.

OFF TO CHRIS - He smiles.

CHRIS

I can’t get enough of that, you know?

Bianca looks at him. Chris walks towards her and hugs her.

CHRIS (CONT'D)

Something came up.

BIANCA

Jannes?

CHRIS

A Firestarter. Alex needs our help to find the girl and help her control her powers.

BIANCA

Firestarters are powerful beings. If evil gets hands on them ---

CHRIS

I know. I’ve learned that lesson in Magic School. But they were more coveted by the Source and the Source is gone.

BIANCA

But not evil. Just be careful.

CHRIS

I don’t want to go and leave you two.

Chris looks down at the baby. Then, he turns to Bianca.

CHRIS (CONT'D)

I don’t know, it’s like it breaks my heart to leave both of you here.

Bianca touches Chris’ face gently.

BIANCA

You became a father but you haven’t stopped being a witch. A Warren Witch. Protector of the innocents.

She kisses him.

BIANCA (CONT'D)

We’ll be fine.

Chris smiles and both kiss again.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

ON PRUE - She is serious.

PRUE

Firestarter?

Wyatt is in front of her. He nods.

WYATT

I don’t want to go.

PRUE

Why?

WYATT

I don’t want to leave the both of you.

Prue understands. She looks at the crib then, turns to Wyatt.

PRUE

I know how you feel.

Wyatt sits on the edge of the bed. She approaches him and takes his face between her hands.

PRUE (CONT'D)

But we can not be afraid of the world outside.

Wyatt looks at the crib where his daughter sleeps.

WYATT

She is protected inside these walls.

PRUE

But the people outside are not.

Wyatt looks up at her.

WYATT

Want to go for me?

Prue smiles.

PRUE

Funny you.

Wyatt takes Prue's hands and kisses them.

WYATT

I’m afraid.

PRUE

Me too. But we are gonna do this together, okay?

Wyatt nods. He stands and approaches the crib. He lowers down and kisses his daughter’s forehead.

WYATT

Daddy loves you so much.

Prue smiles.

WYATT (CONT'D)

Take care of mummy, okay?

Wyatt approaches Prue and kisses her.

WYATT (CONT'D)

Just a couple of hours, okay?

PRUE

Okay.

They kiss again.

CUT TO:

INT. HALLIWELL MANOR - 1ST FLOOR HALL - DAY

Both Wyatt and Chris come from their bedrooms. Both of them close the door behind them. They look at each other.

CHRIS

It breaks my heart to leave them.

WYATT

Me too.

CHRIS

We need to stop Jannes, Wyatt. And we ain’t gonna do it inside these walls.

WYATT

I know. Let’s start by helping a Firestarter.

CHRIS

Let’s go.

Wyatt puts an arm over Chris' shoulder and both brothers walk out of there together.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Piper, Melinda, Alex, and Jo are still there.

MELINDA

Jo, what’s going on?

Jo walks from one side to another holding and staring at Alex’s cell phone.

PIPER

We don’t understand, Future Girl. Can’t you explain?

Melinda nudges Piper who grimaces.

JO

There is a chance to change the future right now.

ALEX

What is she talking about?

OFF TO WYATT AND CHRIS - They come in.

CHRIS

Okay, we are ready.

Jo turns to them.

JO

You need to vanquish her.

Wyatt and Chris exchange glances.

JO (CONT'D)

She ---

Jo shows them the photo on Alex’s cell phone.

JO (CONT'D)

--- Leads a group of Firestarters in the future.

WYATT

What?

JO

They work for them.

PIPER

Them?

Jo looks at Piper.

JO

The ones in control of the world.

Jo looks back at Wyatt and Chris.

JO (CONT'D)

The ones who rule and turned my world into an evil one.

MELINDA

Are you sure?

JO

Completely sure. I don’t forget a face once I’ve seen it.

(to Wyatt and Chris)

You need to vanquish her.

CHRIS

Hey, Jo, we don’t just vanquish people.

JO

In this case, I’m telling you. You really need to vanquish her.

WYATT

As Chris said, we don’t just go out and vanquish people.

ALEX

Yeah, besides, she doesn’t even know what’s happening to her.

PIPER

Why are so sure about it, Alex?

ALEX

Because I sense her fear.

(pauses)

Look, guys, I know that we must help her.

WYATT

Then, we must help this girl.

JO

No.

(desperate)

You don’t understand ---

WYATT

It’s settled.

Wyatt had made up his mind.

WYATT (CONT'D)

We’ll save this girl and period.

JO

You are making a huge mistake.

WYATT

We don’t kill innocents, Jo.

Jo and Wyatt stare at each other for a few seconds.

WYATT (CONT'D)

(to Alex)

Do you know where to find her?

ALEX

No idea, but we can try the campus.

WYATT

Let’s go.

Alex nods. He ORBS out, followed by Wyatt and Chris. Jo turns to Melinda.

JO

He is making a huge mistake.

PIPER

We don’t vanquish people, Jo. Not like that.

JO

Yeah, sure.

Jo turns and leaves. Melinda and Piper exchange glances.

CUT TO:

INT. UNDERWORLD - BLACK WIZARD’S CAVE - DAY

SOUND - JANNES SHOUTS OUT LOUD.

He is mad. Aisling is standing in front of her.

JANNES

You told me she would come.

AISLING

She will. Be patient.

JANNES

You promised this would be the best thing to do. You lied to me.

AISLING

No, I didn’t.

Jannes approaches her and grabs her neck. He starts shocking her.

JANNES

You lied to me, Aisling.

AISLING

She’s coming!

Jannes throws her against the floor. Aisling looks up at him. She takes her hands towards her throat and tries to breathe.

AISLING (CONT'D)

Don’t you ever mention my name.

JANNES

(laughs)

Are you afraid they find you?

AISLING

Shut up!

She tries to stand. Jannes keeps laughing.

JANNES

You’d better not be messing with me, Oracle, or I ---

AISLING

Or you what? I’m the only chance you’ve got so far.

Both of them stare at each other.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

Prue is holding Christina. The baby cries.

PRUE

C’mon, honey, help mummy here.

OFF TO MELINDA - She comes in closing the door behind her.

MELINDA

Need help?

Prue looks at her.

PRUE

I don’t know what’s wrong with her. Since Wyatt left she’s been crying.

MELINDA

Do you think she misses him?

PRUE

Maybe. I don’t know.

Melinda approaches them. Melinda caresses the baby’s head and surprisingly, she starts calming down. Prue smiles and looks at Melinda.

PRUE (CONT'D)

It looks like she likes you.

MELINDA

She’d better.

Both smile. Prue hands the baby to Melinda.

MELINDA (CONT'D)

Oh, right.

Melinda holds her and sits on the bed. Melinda looks fondly at the baby. Prue looks at them. Something is on her mind.

PRUE

Can you watch her for me?

Melinda looks up at her.

MELINDA

Why?

PRUE

There’s a place I need to go.

MELINDA

Where?

PRUE

I can’t say.

MELINDA

Are you keeping secrets from me?

PRUE

No, it’s just ---

Prue looks at the baby.

PRUE (CONT'D)

--- I don’t want to go, but I need to.

Both stare at each other.

MELINDA

Fine.

Prue leans over the baby and kisses her forehead.

MELINDA (CONT'D)

Hope you are not doing anything that can put us in danger.

PRUE

On the contrary.

(smiles)

Thank you.

Prue BEAMS out. Melinda looks at the baby.

MELINDA

Something happened the night you were born and your mother is not telling us about.

ON MELINDA - She is serious.

CUT TO:

EXT. SAN FRANCISCO UNIVERSITY - CAMPUS - DAY

Wyatt, Chris, and Alex are walking on the campus. Alex signs them to a girl. Wyatt and Chris nod. Alex walks towards the girl and speaks with her. The conversation is not heard. Then, Alex walks back towards Wyatt and Chris.

WYATT

So?

ALEX

She was seen entering that building.

Alex points to a building.

WYATT

Let’s go!

The three of them rush into the building.

OFF TO THE DEMONIC BOUNTY HUNTER - He stares at them and then, follows them.

CUT TO:

INT. UNDERWORLD - ORACLE’S CAVE - DAY

Aisling is there just standing. Just like she’s waiting for something.

OFF TO SOMEONE BEAMING IN - Prue BEAMS in front of Aisling.

AISLING

Just in time.

PRUE

You knew I was coming?

AISLING

I will tell you my history one day, Prue Halliwell.

PRUE

Don’t ever get into my dreams again.

AISLING

I had to.

PRUE

Where’s him?

JANNES (O.S.)

Right here.

OFF TO JANNES - He walks into the cave.

Prue turns to face him.

JANNES (CONT'D)

You kept your word.

PRUE

I don’t owe you my word. Wyatt and Chris showed up and ---

JANNES

It doesn’t matter anymore. Let’s get to what matters.

PRUE

Who is that person I need to stop? I remember I heard about the Red Witch before, but I don’t remember where.

Jannes and Prue stare at each other.

JANNES

I’m not going to give you a name yet.

PRUE

You have to give me something.

JANNES

Not the name.

Jannes walks around Prue.

JANNES (CONT'D)

The Red Witch is smarter. She has an agenda and she will do whatever she can to archive it.

PRUE

How do I vanquish her?

JANNES

You don’t.

PRUE

Are you mocking me?

JANNES

No.

(pauses)

I said you don’t stop her, because she can only be stopped by someone else.

PRUE

Who?

Jannes leans on the rock table. Aisling stares at Prue. Prue looks at Jannes.

JANNES

Let me tell you a story.

Prue glances at Aisling and then looks back at Jannes.

JANNES (CONT'D)

Once upon a time, there was this young Witch who did horrible and ruthless things. She was feared by everyone. Those who knew her and those who didn’t.

(pauses)

Until her equal decided to face her and put an end to her. Only that she didn’t. She locked her instead in a dark tower. The young Witch was left there alone for centuries. She never got old. She never aged. Her pale face, dark hair and red lips remained the same.

(pauses)

Until a Wizard found the tower and took pity on her. He released her and he took her as a daughter.

Prue is serious.

JANNES (CONT'D)

And she betrayed him. Managed to copied his powers and left. Lived in hiding for a long time. Too afraid to use her powers. Until ---

Jannes walks towards Prue.

JANNES (CONT'D)

--- Darkness was released.

ON PRUE - She swallows.

JANNES (CONT'D)

And she felt that there was still potential for this world to be turned into an evil one and so she could win over her equal.

(pauses)

The end.

Prue looks at Jannes.

PRUE

Who is she?

JANNES

I won’t give you her name yet.

PRUE

If you want me to help ---

JANNES

I want you to find her equal.

PRUE

How am I gonna do that if I don’t even know who she is?

JANNES

Surprise me.

Prue is irritated.

JANNES (CONT'D)

(opens her arms)

You are a Destined One after all. A Charmed One.

Jannes approaches her and stops a few inches from her.

JANNES (CONT'D)

A Twice Blessed Witch.

Both stare at each other.

JANNES (CONT'D)

Nice talking to you.

Jannes SUMMONS his WAND and then he SPIRALIZES out. Prue looks at Aisling.

PRUE

Can you give me more?

AISLING

Sorry, Prue. I gave my word to Jannes. But I know you’ll find out. Sooner than you think.

Both stare at each other.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Ruby glares through the window at the town outside.

OFF TO JORDAN - He SHIMMERS in.

Ruby turns around.

RUBY

What news do you have for me?

JORDAN

Wyatt and Chris along with that whitelighter cousin of them are trying to help the Firestarter.

RUBY

(smiles)

It doesn’t matter. She’ll end joining us.

JORDAN

How do you know?

RUBY

I just do.

Jordan is thoughtful. Ruby notices it.

JORDAN

Ruby, that Oracle ---

RUBY

What about her?

JORDAN

I saw her.

RUBY

Next time you see her, tell her I want to talk to her.

JORDAN

She’s with Jannes.

Ruby expression hardens.

RUBY

Are you sure?

Jordan nods.

RUBY (CONT'D)

(smirks)

Well, then make sure she comes to meet me whether she likes it or not.

JORDAN

Sure.

Jordan SHIMMERS out. Ruby is serious.

CUT TO:

INT. SAN FRANCISCO UNIVERSITY - CLASSROOM - DAY

Michaela is in a corner sitting holding her legs against her chest. She seems truly nervous and frightened.

OF TO THE ENTRANCE - Wyatt, Chris, and Alex come in. They look around. Soon they see her.

ALEX

Michaela!

Michaela looks at them. Alex starts walking toward her, but she signs him to stop.

MICHAELA

(upset)

No, please. Stay away from me.

ALEX

Michaela, we can help you.

MICHAELA

I can hurt you. I’ve hurt people. I thought it was gone, but it isn’t.

Wyatt and Chris try to approach her too.

WYATT

You mean your power?

MICHAELA

My curse.

Michaela stands.

MICHAELA (CONT'D)

My parents abandoned me because of my curse.

CHRIS

It is not a curse, Michaela. You are special.

MICHAELA

(out loud)

No. I’m not!

Michaela starts crying.

MICHAELA (CONT'D)

I’m cursed.

CHRIS

Okay, Michaela, you need to calm down.

MICHAELA

I hurt them. The house ---

(cries)

--- And they abandoned me.

Michaela cries hard.

CHRIS

(to Wyatt and Alex)

We need to calm her down.

WYATT

(sarcastic)

Oh, really?

ALEX

(to Michaela)

Okay, Michaela, it was an accident.

MICHAELA

I almost killed them.

ALEX

No, it was an accident.

MICHAELA

They left me!

Michaela is getting more and more upset.

OFF TO THE ENTRANCE - The Demonic Bounty Hunter comes in. He throws a BOLT OF LIGHTENING against Wyatt who is thrown across the room. Then he throws another against Chris who flies across the room as well. Alex turns around and looks at the Bounty Hunter.

ALEX

Who are you?

The Bounty Hunter throws another BOLT OF LIGHTENING against Alex, but he ORBS out before it hits him and ORBS back in. Michaela looks at the Bounty Hunter.

ALEX (CONT'D)

What do you want?

The Bounty Hunter walks towards Alex. Michaela lowers down. Really upset. The Bounty Hunter grabs Alex and throws him against the room. Alex stands quickly and looks at Wyatt and Chris who are unconscious on the floor.

ALEX (CONT'D)

(sarcastic)

And they call themselves the Destined Ones!

Alex walks towards Wyatt and tries to wake him up. Meanwhile, the Bounty Hunter, with his glace on Michaela, walks towards her.

Wyatt starts waking up. His back hurts where the lightning hit him. Wyatt sees Chris on the floor.

WYATT

Help him.

Alex turns to Chris and walks towards him. He tries to wake him up.

ALEX

C’mon, Chris.

Meanwhile, Wyatt’s injuries start HEALING. Alex places his hands over Chris’ injuries in the back and HEALS him. Wyatt stands and walks towards the Bounty Hunter.

WYATT

LEAVE HER!

Wyatt uses his VOICE MANIPULATION. The Bounty Hunter turns to him.

OFF TO CHRIS - He starts waking up.

CHRIS

What happened?

ALEX

You guys were taken down.

Chris and Alex look at Wyatt. Wyatt WAVES his hands and THROWS the Bounty Hunter flying across the room. He stands immediately.

WYATT

Take her out of here.

Alex rushes to Michaela. She is getting more and more upset.

ALEX

C’mon, let’s get out of here.

Alex drags Michaela towards the entrance. Chris approaches Wyatt.

CHRIS

Don’t play with food, Wyatt. Vanquish him.

Wyatt is about to use MOLECULAR IMMOBILIZATION against the demon, but ---

The Bounty Hunter starts BURSTING INTO FLAMES.

Wyatt and Chris turn around and ---

Michaela is there with her glance fixed on the Bounty Hunter. Wyatt and Chris turn to the demon and ---

He blows up in flames. Wyatt and Chris look at each other. Then, they turn to Alex and Michaela. She seems calmer. Michaela looks at Wyatt. He is serious.

MICHAELA

I didn’t want him to hurt you.

ALEX

You are going to be okay, Michaela.

She looks at Alex and shoots him a sympathetic smile. Wyatt and Chris breath in.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

Several shots of the whole town as the day turns into night.

CUT TO:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - NIGHT

Melinda puts the baby on the crib. Prue BEAMS in. Melinda looks up at her.

MELINDA

Are you finished?

Prue nods yes.

MELINDA (CONT'D)

Are you gonna tell me now?

PRUE

I can’t. Wyatt?

MELINDA

He hasn’t come back yet.

Prue approaches the crib.

PRUE

(to Melinda)

Thank you.

Melinda smiles and touches Prue’s hand.

MELINDA

Anytime.

Both smile at each other, then they look at the baby.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT

MUSIC ON THE BACKGROUND - ‘Been a Long Day’ by Rosi Golan.

STOCK.

CUT TO:

INT. PRESCOTT MANOR - ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

No light is on. Ruby is sitting on a chair. The ANCIENT BOOK is on her lap. She smiles as she reads from the book.

CUT TO:

INT. PRESCOTT MANOR - DINING ROOM - NIGHT 

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Ivana is at the table having dinner. Sitting across from her is Serena staring seriously at Ivana.

CUT TO:

INT. BLACHE’S APARTMENT - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Blanche comes in wearing pajamas and holding a cup of coffee. She sits on the sofa and turns the TV on.

ON THE TV. NO SOUND - A journalist is giving the news. On the screen is reads:

‘Negotiations are finished. Prescott Group now owns 100% of BCC Constructions’ 

Blanche is serious. She has a sip of her drink.

ON WINDOW - Mau enters the room from the window. He runs towards the sofa and gets up on the sofa.

Blanche looks at the black cat.

BLANCHE

What do we have here?!

She takes the cat and holds it in her arms.

BLANCHE (CONT'D)

Where do you come from, kitty?

Blanche caresses the cat’s fur.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

MUSIC FADES OFF.

Piper, Phoebe, Paige, Leo, Coop, Henry, Melinda, Charlotte, Cassandra, Junior, Tamora and Pandora are there.

CASSANDRA

Is it tonight that we are finally going to find the babies full names?

COOP

I really hope so.

LEO

Yeah, it doesn’t work for me to keep calling them babies.

They laugh.

PIPER

It reminds me of when Wyatt was born.

LEO

We thought in calling him Prudence Melinda.

MELINDA

Thank God you’ve got a better suitor for that name.

They laugh again.

SOUND - FRONT DOOR OPENING AND CLOSING RIGHT AWAY.

Soon, Jo comes in.

JO

Hey!

MELINDA

Feeling better?

Jo nods. At that moment, Alex ORBS in.

ALEX

Okay, guys, everything is settled. Michaela is calmer and she’ll be trained by someone at Magic School. It appears that she never even heard of Magic School before.

PHOEBE

Good job!

JO

(whispering)

I just hope anyone one regrets it.

Melinda stares at Jo. Jo deviates her eyes from Melinda.

PAIGE

Well, where are the parents and the babies?

OFF TO THE ENTRANCE - Wyatt and Prue, holding their baby and Chris and Bianca, holding theirs, come in.

HENRY

Hey, so?

Prue glances at Jo, then turns to Melinda.

PRUE

(whispers to Melinda)

Your spell around the house has a failure.

Prue glances at Jo, then looks at Melinda again.

PRUE (CONT'D)

(whispering)

She’s not family.

MELINDA

She is for me.

A phone rings. It’s Junior’s. He takes the phone and ignores the call.

JUNIOR

So, guys. The names please?

CHARLOTTE

Yes, end the mystery.

Chris and Bianca exchange glances.

CHRIS

Well, we had a name for the baby, but we decided to chose another name after what happened on the day Bianca was kidnapped.

BIANCA

Yeah. We decided that our baby should be named after the person who saved my life. 

She looks at Wyatt.

BIANCA (CONT'D)

Despite the desire of vanquishing Siobhan, Wyatt was able to hear my call and take me out of there so my baby would be born in a hospital.

Wyatt is touched.

CHRIS

That’s why we've decided to name him ---

JO

Matthew.

They look at Jo. Bianca smiles.

BIANCA

Yes, Matthew.

CHRIS

Matthew Halliwell.

BIANCA

Actually, Matthew Perry Halliwell.

Chris looks at Bianca surprised.

CHRIS

I thought ---

BIANCA

His father was very brave as well and well, I want all my children to keep the tradition and have a ‘P’ name.

Chris smiles happy. He kisses Bianca.

TAMORA

So, Matthew Perry Halliwell, huh?

PANDORA

And the godparents?

BIANCA

I think that’s an obvious choice. I love all of you guys. You are the only family I have, but Wyatt save me and so did Prue.

Bianca looks at Prue. Prue smiles.

BIANCA (CONT'D)

She was the first to welcome me into this family so ---

WYATT

We are honored.

PRUE

Thank you.

PIPER

We ---

(looks at Leo)

--- Approve it!

CASSANDRA

And what about Pryatt’s?

PRUE

Oh, c’mon. Stop the ship names.

Cassandra shrugs.

PRUE (CONT'D)

Well, as you already know, our daughter’s ---

(looks at Wyatt)

--- Second name is going to be Christina.

WYATT

Yeah, and we gave Chris and Melinda the chance to give her the first name.

PRUE

Which can start with a ‘P’ if you’d like.

CHRIS

I’m glad you say that because I have the perfect ‘P’ name for my niece.

CHARLOTTE

She could be named Parker.

PRUE

That’s a good name.

Charlotte and Prue smile.

CHRIS

But no.

(pauses)

I do agree with traditions ---

Prue and Wyatt exchange glances. Prue looks at the baby in her arms.

CHRIS (CONT'D)

--- And I do agree that the baby should have a strong name. A feared name. Which is why I name her Prudence.

Wyatt smiles. Chris looks at Prue.

CHRIS (CONT'D)

I’m sorry, but I just agree with Wyatt.

Leo and Piper exchange glances and smile. Phoebe and Coop smile.

PRUE

So, Prudence Christina ---

Melinda looks at Jo. Jo seems anxious.

MELINDA

Wait!

Jo closes her eyes disappointed. Melinda looks from Jo to Prue and Wyatt. They all look at Melinda.

MELINDA (CONT'D)

I do agree with the Prudence and Christina, but I want to add another.

PRUE

What? No.

MELINDA

Why not? You’ve got four.

PRUE

That was because mum was crazy and gave me all those names.

PHOEBE

Hey, I was not. I just couldn’t decide among them.

COOP

To be honest, I couldn’t either. They sounded so good together.

PRUE

Yeah, but my daughter is gonna be named Prudence Christina and that’s final.

MELINDA

You allowed me to pick a name for her.

PRUE

You and Chris. One name.

MELINDA

Yeah, but I don’t agree.

WYATT

Let’s hear her.

Prue shoots Wyatt a look.

MELINDA

I think she should have a name that honored also another side of the family. The Johnsons.
 

PRUE

I do honor them.

MELINDA

Yeah, not enough.

WYATT

What’s your idea?

MELINDA

Johanna.

Jo lowers her gaze.

PAIGE

We could treat her as P.J.

TAMORA

Yeah, I like it.

Melinda smiles. Wyatt and Prue exchange glances. Melinda approaches them and signs Prue to hand her the baby. Melinda looks at the baby.

MELINDA

Prudence Christina Johanna Halliwell! Is that your name?

And Melinda raises up her glance and looks at Jo. Jo lowers her gaze giving it away.

CHRIS

I like it!

PRUE

It is settled now.

WYATT

(puts an arm over Prue’s shoulder)

Prudence Christina Johanna Halliwell it is.

They all smile and approach the babies and their parents. All but Jo. She walks out of there without anyone noticing.

CUT TO:

EXT. HALLIWELL MANOR - PORCH - NIGHT

Jo comes from the house. She is crying. She walks down the stairs and heads towards the Halliwell / Coop manor.

CUT TO:

INT. HALLIWELL / COOP MANOR - PRUE’S OLD BEDROOM - NIGHT

Jo comes in shouting the door behind her. She is so upset that she doesn’t realize the visitor.

AISLING (O.S.)

A strong name for a strong witch!

Jo turns around and gets surprised at the visitor.

JO

You?

BEAT. She knows who she is. Aisling smiles.

AISLING

I guess we have crossed paths in that future of yours.

JO

You work for them.

Aisling smiles.

FLASHES TO:

INT. DARK MANOR - MAIN BEDROOM - NIGHT (ELEVEN YEARS LATER)

Prue is upset breaking everything in the bedroom. She is really mad. Standing there is Aisling looking at her.

AISLING

Would you calm down?

PRUE

She saw me! She wasn’t supposed to see me that way.

AISLING

She would have found you sooner or later, Prue. She’s your daughter and has a strong connection with you.

PRUE

Well, she saw the worst of me.

AISLING

Maybe that’s what she needs in order to do what she must.

PRUE

What are you talking about?

Aisling walks towards Prue and stops in front of her.

AISLING

I’m talking about changing it all.

Prue is serious.

AISLING (CONT'D)

Undo what was done. Create a better World.

PRUE

The World is good as it is, Oracle.

AISLING

Is it?

They stare at each other.

AISLING (CONT'D)

I know your heart, Prue. Deep down you want to change. You just can’t. And I’m guessing that your daughter found you because you let your guard down.

PRUE

Why would I do that?

AISLING

Because you wanted her to see. Because if she sees what her mother has become then she’ll get the strength needed to do something.

PRUE

Be careful, Aisling. I could think that you are plotting against us.

Aisling swallows.

PRUE (CONT'D)

That can cost your life. Don’t ever forget where your loyalty lies.

Both stare at each other.

FLASHES BACK TO:

INT. HALLIWELL / COOP MANOR - PRUE’S OLD BEDROOM - NIGHT

Aisling and Jo stare at each other.

AISLING

I work for nobody, dear. I do what I do for myself.

JO

Still. What do you want?

AISLING

You’ve come a long way, Jo, and yet you’ve change nothing ever since you came here.

JO

What do you know about my agenda?

AISLING

I know it all. And I know that there’s still a chance to change the future.

Aisling approaches Jo.

AISLING (CONT'D)

To get back what you lost.

(smiles)

There’ll come a time where you may have to sacrifice yourself in order to save us all.

JO

What do you mean?

Aisling smiles.

AISLING

You’ll know in the right moment.

JO

You know more.

AISLING

I do, but have you ever heard that a shut mouth catches no flies?

Aisling smiles.

AISLING (CONT'D)

That’s not my information to give, darling.

They stare at each other. Then, Aisling SHIMMERS out. Jo is serious thinking in what she heard. She sits on the edge of the bed astonished.

The camera moves away through the window and ---

CUT TO BLACK.

END OF THE EPISODE